Mediating
the Ecological
Imperative

SNSF Sinergia 2021 – 2024
© Peter Krieger, *Bilderfahrzeug,* Mexiko-Stadt, 2018.
© Peter Krieger, *Footprints,* Mexiko-Stadt, 2020.
© Peter Krieger, *Ästhetik der Luftverschmutzung,* Mexiko-Stadt 2016.
Mixteca Alta Geopark, Oaxaca, Mexico, View from Yucu ñuun lookout, Photo by visual journalist Alex McDougall, 2021 © Alex McDougall (photo), Courtesy of the artist.
Zapatista women at the First International Gathering of Politics, Art, Sport, and Culture for Women who Struggle in the Zapatista Caracol of the Tzotz Choj Zone. Photo by Mexican photo-documentalist Regina López, 2018. © Regina López (photo). Courtesy of the artist.
Will Wilson, *AIR (Auto-Immune Response),* <br />© Will Wilson
Will Wilson, *AIR (Auto-Immune Response),* <br />© Will Wilson
Sky Hopinka, *Jáaji Approx.,* 07:39, HD video, stereo, color, 2015.
Sky Hopinka, *Fainting Spells,* 10:45, HD video, stereo, color, 2018.
*Sun & Sea (Marina),* Opera-Performance von Rugile Barzdziukaite, Vaiva Grainyte, Lina Lapelyte an der Biennale Venedig 2019. <br />© Andrej Vasilenko (Foto), Courtesy of the Artists.
Peter Paul Rubens and Jan Brueghel the Elder, *The Sense of Smell (The Five Senses series),* 1617-1618, Oil on panel, Museo del Prado, Madrid.
Gayil Nalls, *World Sensorium,* 1999-2000, World Aromatic Phytogenic Material (100ml at 25 in Amber Borosilicate Bottle), Photo by Bert Brouwenstijn (Displayed in the exhibition *Aromatic Art (Re-)constructed: In Search of Lost Scents* at Vrije Universiteit Amsterdam in 2017).
Peter de Cupere, *The Smell of a Stranger,* Exhibited in the 12th Biennial of Havana in 2015, Photo by Frederik Buyckx.
Precious Okoyomon, *Open circle Lived Relation* (Detail), Resistance is an atmosperic condition, 2020, Foto: Diana Pfammater.
Asad Raza, Absorption. *Down to Earth,* 2020 © Berliner Festspiele/Eike Walkenhorst.
Regina José Galindo, Still from *Tierra*, 2013. Video (HD, one-channel, 16:9, color, sound), 34 min, Courtesy the artist and Prometeo Gallery Ida Pisani Milan- Lucca.
George Steinmann, *The World and the Mind* (1988-2016) © George Steinmann.

© Peter Krieger, Bilderfahrzeug, Mexiko-Stadt, 2018.

© Peter Krieger, Footprints, Mexiko-Stadt, 2020.

© Peter Krieger, Ästhetik der Luftverschmutzung, Mexiko-Stadt 2016.

Mixteca Alta Geopark, Oaxaca, Mexico, View from Yucu ñuun lookout, Photo by visual journalist Alex McDougall, 2021 © Alex McDougall (photo), Courtesy of the artist.

Zapatista women at the First International Gathering of Politics, Art, Sport, and Culture for Women who Struggle in the Zapatista Caracol of the Tzotz Choj Zone. Photo by Mexican photo-documentalist Regina López, 2018. © Regina López (photo). Courtesy of the artist.

Will Wilson, AIR (Auto-Immune Response),
© Will Wilson

Will Wilson, AIR (Auto-Immune Response),
© Will Wilson

Sky Hopinka, Jáaji Approx., 07:39, HD video, stereo, color, 2015.

Sky Hopinka, Fainting Spells, 10:45, HD video, stereo, color, 2018.

Sun & Sea (Marina), Opera-Performance von Rugile Barzdziukaite, Vaiva Grainyte, Lina Lapelyte an der Biennale Venedig 2019.
© Andrej Vasilenko (Foto), Courtesy of the Artists.

Peter Paul Rubens and Jan Brueghel the Elder, The Sense of Smell (The Five Senses series), 1617-1618, Oil on panel, Museo del Prado, Madrid.

Gayil Nalls, World Sensorium, 1999-2000, World Aromatic Phytogenic Material (100ml at 25 in Amber Borosilicate Bottle), Photo by Bert Brouwenstijn (Displayed in the exhibition Aromatic Art (Re-)constructed: In Search of Lost Scents at Vrije Universiteit Amsterdam in 2017).

Peter de Cupere, The Smell of a Stranger, Exhibited in the 12th Biennial of Havana in 2015, Photo by Frederik Buyckx.

Precious Okoyomon, Open circle Lived Relation (Detail), Resistance is an atmosperic condition, 2020, Foto: Diana Pfammater.

Asad Raza, Absorption. Down to Earth, 2020 © Berliner Festspiele/Eike Walkenhorst.

Regina José Galindo, Still from Tierra, 2013. Video (HD, one-channel, 16:9, color, sound), 34 min, Courtesy the artist and Prometeo Gallery Ida Pisani Milan- Lucca.

George Steinmann, The World and the Mind (1988-2016) © George Steinmann.

The SNF project “Mediating the Ecological Imperative: Formats and Modes of Engagement” is a joint research project of the Institutes of Art History, American Studies and Social Anthropology at the University of Bern. In addition, a collaboration with the National Autonomous University of Mexico (UNAM) is being realized. Research focuses on the visual politics of climate change, the role of ecological issues in art and literature, and social engagement with the environment in indigenous cultures. The philosopher Hans Jonas coined the term “ecological imperative” in his book Das Prinzip Verantwortung (The Principle of Responsibility, 1979), in which he formulated an ecological maxim for action based on Immanuel Kant’s “Categorical Imperative”: “Act in such a way that the effects of your actions are compatible with the permanence of genuine human life on earth”. → Read more about the project

Team
Latest News
2023, August (tba)
Metamorphosen der Gegenwart, Open Air Film Programme at the Botanical Garden of the University of Bern

Metamorphosen der Gegenwart is an Open Air Film Programme at the Botanical Garden of the University of Bern (BOGA). We will screen and discuss documentary and experimental films (Andrea Bordoli, Ursula Biemann, Ben Rivers, Ana Vaz) inside the BOGA. The programme, curated by Toni Hildebrandt, Peter J. Schneemann, and Magali Wagner (from the SNSF Sinergia Project Mediating the Ecological Imperative) in collaboration with Flavia Castelberg (from BOGA), is a response to the BOGA project Chronoversum – Pflanzen im Wandel der Zeit.

2022, December 9, 18:00-20:00
Roundtable at Kornhausforum Bern

Roundtable on the Ecological Imperative with our project partners Franz Krause (Lead of Emmy-Noether Research group, Global South Studies Center, University of Cologne), Gerhard Wolf (Director of the Max-Planck-Institut, Kunsthistorisches Institut in Florenz), Hubert Zapf (Professor and Chair of American Literature, University of Augsburg), as well as Gabriele Rippl and Michaela Schäuble from the Sinergia team. Peter J. Schneemann will introduce the panel and Magali Wagner will moderate the public discussion at Kornhausform Bern. The event will be held in German and is a cooperation with Kornhausforum Bern.

2022, December 6, 12.15 pm
Fukushima as a Paradigm of the Anthropocene: Responses from the Arts

Toni Hildebrandt will give the Fall Public Lecture on the Anthropocene at the faculty of Italian Culture and Society at the University of St. Gallen. The lecture will examine three responses from the arts to the Fukushima disaster in 2011 and the ongoing Post-Fukushima situation. Filmmaker Ana Vaz, artist and theatre director Akira Takayama, and Ikebana master Atsunobu Katagiri react to the catastrophe with works that decentralize the human, paying attention to flowers, fireworks, gardens, insects and farm animals. In these tales of survival, the human is marginalized or temporary/spatially subtracted, to re-enter the world with a new ethical consciousness and awareness.
Register online and join the lecture on site on Tuesday, December 6, 12:15 - 1:45 pm CET
 at Tellstrasse 2, room 58-424.

All
Gardening
Drought
Climate change
Carbon Footprint
Digitalization
Art History
Responsability
Anthropocene
Human
Supererogation
Duty
Sustainability
Textile
Art
Repair
Second Hand
Commodity
Capitalocene
Extinction
Climate Change
Sculpture
Animal
Peru
Nature
Venezuala
Flora and Fauna
Community
Indigenous
Nahua
El Salvador
Anthropology
Object
Mexico
Empathy
Wáxarika
cacao
cooperation
cooperative strategies

Voices is our public outreach format. In collecting short statements and responses from all society, we want to include otherwise unheard voices and foster a broader dialogue on the ecological imperative. We also want to relate our own conception to perspectives from outside academia. The format of Voices relies on Hito Steyerl's concept the poor image, which emphasizes the potential of easily accessible, low resolution footage brought to common use.

Die Mobiliar Logo
This interactive platform has been made possible thanks to the support of the Anniversary Foundation of La Mobilière Cooperative.