The SNF project “Mediating the Ecological Imperative: Formats and Modes of Engagement” is a joint research project of the Institutes of Art History, American Studies and Social Anthropology at the University of Bern. In addition, a collaboration with the National Autonomous University of Mexico (UNAM) is being realized. Research focuses on the visual politics of climate change, the role of ecological issues in art and literature, and social engagement with the environment in indigenous cultures. The philosopher Hans Jonas coined the term “ecological imperative” in his book Das Prinzip Verantwortung (The Principle of Responsibility, 1979), in which he formulated an ecological maxim for action based on Immanuel Kant’s “Categorical Imperative”: “Act in such a way that the effects of your actions are compatible with the permanence of genuine human life on earth”. → Read more about the project
- Prof. Dr. Peter J. Schneemann (Lead, University of Bern)
- Prof. Dr. Gabriele Rippl (University of Bern)
- Prof. Dr. Michaela Schäuble (University of Bern)
- Prof. Dr. Peter Krieger (2021-22) (National Autonomous University of Mexico)
- Dr. Toni Hildebrandt (Advanced Postdoc and Coordinator, University of Bern)
- → See the whole project team
Water Rituals – three talks and mini-workshops about rituals, performance art and language lead Isabel Val Sánchez, Michał Dawid & Mirjami Lantto Klein; Georgina Sánchez Celaya and Ekin Özdemir.
As a part of the ocean comm/uni/ty festival liquid kin organized by TBA21-Academy and curated by Fiona Midleton and Lígia Oliveira, Georgina Sánchez Celaya will present part of her doctoral research. The intervention will closely look at two inspiring examples presented during the first United Nations Ocean Conference in 2017, hosted by Fiji and Sweden. The first is the Solemn Ceremony organized by the Fijian government to welcome the conference participants, and the second is Ocean Calling, an eco-ritual performance conceived by Mexican artist Laura Anderson Barbata commissioned by TBA21–Academy.
Lectures by Ina Blom, Sebastian Egenhofer, Julia Gelshorn, Toni Hildebrandt, Juliane Rebentisch, Kerstin Stakemeier, Ursula Ströbele, Pierre Wat and Christopher Williams-Wynn. Organized by André Rottmann.
Workshop with four lectures by Gabrielle Decamous (Kyushu) on Fukushima and Other Nuclear Disasters in the Arts, Kyoko Iwaki (Antwerp) on Ghostly Realism: Matsubara Shuntarō and Atmospheric Subjects, Maria Stavrinaki (Lausanne) on Bomb, Human Head: Remarks on a Post-atomic Pattern, and Theresa Deichert (Heidelberg) on Representing the Unreal: The Nuclear Uncanny in Masaharu Satō’s Fukushima Trace, and responses by Vega Tescari (Mendrisio) and Lilian Kroth (Fribourg).
Concept & Organization: Toni Hildebrandt, SNSF Sinergia Mediating the Ecological Imperative, Department of Modern and Contemporary Art History, Institute of Art History, and Walter Benjamin Kolleg, University of Bern, supported by the MVUB Grant at University of Bern.
Location: University of Bern, Mittelstrasse 43, room 324.
